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It gives credence to Katharine BrisbaneвЂ™s observation that LawlerвЂ™s play is вЂњabout growing up and growing old and failing to grow upвЂќ. It is worth noting that in 1955 this was no longer deeply scandalous, even for Menzies Australia. Every year for 16 years, two Queensland cane cutters, Barney and Roo, come to Carlton to lay over with two single women, Olive and Nancy, during the off-season. Summer of the Seventeenth Doll is set in what was then up-to-the-minute inner city Melbourne. JENNY: If you were a man, Mr Torrent, youвЂ™d stand by it.

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RUFUS: If you were a man, madam, I would know how to deal with your action. JENNY: вЂ¦ instead of open, honest, manly illogic. RUFUS: I should have known, when I denied my better judgement, and took a woman into this office that we might expect some kind of specious underhand, interfering feminine logicвЂ¦ Though you publish fifty retractions, Mr Torrent, you canвЂ™t wipe that article from their thoughts. JENNY: You should be proud of him! He put into words the problem that everyone in Koolgalla has to face вЂ“ and the solution to it. But I am not a complete fool, Miss Milford.

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RUFUS: I think it is only right that I should tell you that my son accepted full blame for that statement.

Her actions prompt both men to a new awareness about what must be done if the town is to survive in the fragile landscape around it. He immediately backtracks, but Jenny publishes it without either TorrentвЂ™s consent. RufusвЂ™s son, Ben, drafts an article in support of a new irrigation scheme. In the middle of the play, the two storylines neatly intersect. A struggle ensues in the newsroom over womenвЂ™s rights, and the issues explored are ones of class identity and gender equity. When Milford arrives it is immediately apparent that вЂњJвЂќ stands for вЂњJennyвЂќ. Milford, hired sight unseen by the paperвЂ™s redoubtable editor, Rufus Torrent. The second storyline revolves around the ArgusвЂ™s latest employee, J. A struggle ensues among its civic leaders over water use, and the issues explored are those of personal courage and political vision. In the first storyline, Koolgalla, a gold town, grapples with its future as an agricultural one. The Torrents is a comedy-drama set in the newsroom of a regional paper, the Koolgalla Argus, in 1890. They exemplify a level of dramatic and theatrical craftsmanship which earlier generations could not match, not least for the organic connection between the material and its expression. The best of the 1950s playsвЂ¦ open up themes of wider universality than those of earlier plays, themes that transcend Australianist specificsвЂ¦ often use a family or domestic setting, which the conflicts more archetypal and puts the local context and social specifics into a more widely applicable human perspectiveвЂ¦ If there is a year in which our national drama can be said to have achieved critical mass, 1955 is it. Together, the two works mark a new horizon of creative possibility for Australian theatre. The Torrents is less well known, but is an important work for its type, if not for its individual qualities.

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It is a frequently revived Australian play (the AusStage database lists over 150 professional productions). Many Australians are familiar with the Doll. Lawler had a background in vaudeville, and was director of the most recent addition to MelbourneвЂ™s theatre scene, the Union Theatre Repertory Company вЂ“ today, the Melbourne Theatre Company. Gray was an experienced writer, and a member of SydneyвЂ™s New Theatre (a Communist affiliated organisation), though she left the Party in 1949.